The Taming of the Shrew Essay Example For Students | Artscolumbia
Ros writes this because the servant-master relationships in Elizabethan England were complex and the dynamics had to be in balance. During the Renaissance. Get an answer for 'Describe the nature of the relationship between servant and master in The Taming of the Shrew.' and find homework help for other The. In this play there are many characters that are bound together by the servant- master relationship. These include: The Lord and his Huntsmen in.
How does this scene introduce the idea of two separate productions? What does the first scene suggest about the tone of the play? The first scene suggests the play will be fun and light. The lord seems fun-loving and mischievous, and the audience is excited to see whether Sly will fall for the trick or not.
The audience is encouraged to laugh at the ridiculous Sly. They might also be curious as to whether or not he will learn anything from this trick. What question does the lord set out to answer?
What question might Shakespeare be asking? The lord is curious about whether or not a man can be convinced he is someone other than himself. Shakespeare might be asking his audience to consider how people determine their identities and if they can be transformed through experience.
Greek mythology god of music bestraught: Greek mythology alternate name for Venus, goddess of love hawking: What finally convinces him to accept he is a lord? When Sly first awakens, he is completely convinced he is himself; he references his livelihood, his heritage, and even people in his life who could vouch that he is who he says he is.
Also, Shakespeare may have wanted to introduce into the play the themes of deceit, transformation, and social class, as well as the motifs of disguise and clothing, masters vs. Shakespeare often presented a play-within-a-play as a dramatic technique. Italian pardon me Ovid: Where is Lucentio from, and what is he doing in Padua? Lucentio is from Florence, and he is in Padua to study philosophy. Tranio means that Lucentio should not take himself or his studies too seriously.
He suggests that if Lucentio pursues what he loves, he is more likely to be successful. How is she different from her sister? How is the audience meant to interpret her behavior? Kate is fiery, outspoken, and intelligent. In addition to her physical attractions, Bianca is appealing to Lucentio because she is silent. Why does Gremio feel Baptista is treating Bianca unfairly? Baptista will not allow Bianca to marry until Kate is married. Hortensio believes that it is possible to find a husband for Kate, despite her outspoken nature.
What type of man does he think would accept Kate? What comes over Lucentio as he watches Bianca? Lucentio falls into a trance as he watches Bianca; he is in love at first sight. Lucentio and Tranio come up with an elaborate scheme that will enable Lucentio to woo Bianca. What is that scheme? How is it further embellished with the arrival of Biondello? Lucentio will pretend to be a schoolmaster and present himself as an instructor to Bianca. They switch their clothes to signal their new identities.
When Biondello arrives, Lucentio claims that he has killed someone and can be identified by a witness; Tranio is pretending to be him so that Lucentio can escape. Biondello does not believe this story, but he goes along with it anyway. Lucentio has an easy, friendly relationship with his servants. Tranio does not hesitate to advise his employer, such as when he counsels him not to take his studies too seriously or determines to break Lucentio out of his love struck trance.
Though Biondello appears only briefly, he is straightforward with Lucentio. Throughout the scene, Lucentio makes a plethora of classical allusions, among them references to Minerva, the Queen of Carthage, and Agenor. During the Renaissance, knowledge of classical Greek and Roman history and literature was generally confined to those of the upper classes in the social hierarchy.
Sly reappears to remind members of the audience they are watching a play-within-a-play; the reappearance of his foolish character and the fact that he would be quite happy for the show he is watching to end both emphasize the elements of comic farce. Both stories develop themes of disguise and dishonesty; also, in both stories various characters assume different identities.
Greek mythology hero who carried out twelve impossible tasks in jest: Helen of Troy, thought to be the most beautiful woman in the world liberality: A pun is a joke that uses a word or phrase humorously to emphasize its different meanings.
Petruchio becomes angry and physical with Grumio. The exchange shows that Petruchio is a sharptongued, commanding person, much stricter with his servant than Lucentio was with his in the previous scene. Petruchio expects to be obeyed. Petruchio means that he is in Padua to marry a wealthy woman. His wife will enable him to thrive, living a rich lifestyle.
The Taming of the Shrew
Why is Petruchio willing to take on a difficult wife, while Hortensio is not? Of the two, Petruchio is much more motivated by money; he indicates that Hortensio is foolish not to be. Why is it likely that Hortensio was not joking when he raised the subject, and what does this claim reveal about him?
Hortensio is being disingenuous when he says he raised the subject as a joke, which further emphasizes the shadiness of his character. Logically, then, and in order to advance his own goals, Hortensio wanted to present Katherine as a suitable wife for Petruchio. How does Lucentio deceive Gremio? In actuality, he is pretending to be a schoolmaster so that he might court Bianca on his own behalf. What might his purpose be in this scene? Grumio offers comic relief in this scene. Grumio is also outspoken about the events unfolding around him.
Petruchio boasts of all of the difficult predicaments he has survived, which were much more daunting than the mere words of a woman. What reason does Tranio as Lucentio offer for why the other men should not care about his desire to court Bianca? What compels the rivals for Bianca to join forces? The rivals all realize that they have a shared objective: Describe the exchange between Kate and Bianca.
How does Kate appear to the audience? She is bound because of Kate, both literally and metaphorically, because she is not free to marry until Kate has a husband. Kate becomes angry and strikes Bianca, which seems unfair and mean. She appears to fit well the role of the untamed shrew. How do they feel about each other, and why? He is critical of Kate and protective of Bianca: Kate displays a fiery anger toward her father, but the extent that she is hurt by his favoritism is clear, too.
Her fury may well be fueled by her hurt. Talk not to me. In this scene, the institution of marriage is characterized mainly as a financial transaction.
Describe how this idea is enforced in the dialogue between Bianca and Kate, as well as in the dialogue between Petruchio and Baptista and among Baptista, Gremio, and Tranio.
This suggests that Baptista feels Kate has some choice in the matter of her husband and that he understands what she might need to make her happy. Petruchio is strong-willed, and as Kate is, too, he feels that they are equally matched.
Neither will drown the other out, but rather their meeting of passion will temper them both. Why is it unusual? What might be motivating Petruchio to respond this way? He may genuinely be impressed by a woman who is feisty, finding that feistiness attractive. As revealed in his soliloquy, how does Petruchio plan to win Kate over?
Petruchio plans to win Kate over through flattery, no matter how horribly she treats him: Describe the first meeting between Petruchio and Kate.
In what ways is the dialogue different from the other dialogue in the play? The dialogue between Petruchio and Kate follows a very quick pace.
For most of their exchange, each speaks just one witty line before the other responds. Though other scenes also incorporate wordplay, nowhere is it more evidenced than in the exchange between Petruchio and Kate, who seem to deftly pile pun upon pun. Clearly, each is a gifted and quick-witted linguist. Petruchio gains the upper hand.
Kate has not exchanged insults with someone as quick-witted as Petruchio, and she seems frustrated by the challenge he presents. Petruchio, though he aims to flatter and indulge her through most of their dialogue, also deals with her firmly. Why does he do this?
Petruchio tells the other men that Kate is affectionate and loving in private, but they have agreed that in public she need not be: Why does Kate acquiesce to the marriage? What other motivations might account for her silence? Kate is quiet after Petruchio tells his lie to the others.
It is possible she feels defeated and does not want to fight anymore. Finally, it is also possible that she really is attracted to Petruchio and does want to marry him. Which man wins the right to court Bianca, and why?
Tranio as Lucentio wins the right to court Bianca because he has more inheritance to offer her should he die. What does it imply? This complication suggests that the play will involve even more lies and deceit. What is the relationship between Lucentio and Hortensio?
How do they interact with each other?
Through what means do Bianca and Lucentio flirt? Bianca, in turn, neither rejects Lucentio nor accepts him. How does she seem different? In this scene, how- SGT: In this scene, Bianca is independent, strong, and clever; she assumes control, something she has not done previously. Hortensio claims he will no longer seek to court Bianca if she would stoop to flirt with her tutor.
Hortensio may be trying to save his ego and his credibility by rejecting Bianca before she can reject him in a more straightforward manner. What is the overall mood of this scene? The mood is light and amusing. Describe the role of disguise and pretense in this scene. Disguise and pretense play a large role, as nothing actually is what it appears to be.
Lucentio, disguised as Cambio, communicates with Bianca through pretending to study Ovid. Hortensio is disguised as Litio; he communicates with Bianca through a written accounting of the scales. Why is Kate distraught over the thought that Petruchio may not show up for their wedding, given that she was opposed to the wedding from the beginning? Though Kate does not want to marry Petruchio, it is now public knowledge that she will marry him, and she fears being humiliated: Why does his attire upset Baptista?
How does Baptista express his anger? His attire expresses a lack of respect for the importance of the wedding and a lack of respect for Baptista, the father of the bride who has planned and undoubtedly funded the wedding. How does Petruchio respond in regard to his lateness and his clothing? What might his intent be? Petruchio is evasive about his attire and his tardiness, changing the focus of the conversation to Kate and proclaiming that he would like to kiss her.
He brushes off any suggestion that his clothes convey disrespect: What recounting does Gremio offer of the wedding ceremony? Why might Shakespeare have decided to relay the events through Gremio rather than stage the scene for the audience? Gremio explains to Tranio and Lucentio that Petruchio behaved horribly during the wedding ceremony, making Kate seem like a lamb in comparison. Petruchio cursed, causing the priest to drop the Bible he was using in the ceremony.
When the priest bent down to pick up the Bible, Petruchio struck him.Taming of the Shrew - Act 3 Scene 1
Describe the first confrontation between Kate and Petruchio as husband and wife. Who prevails, and how? She asserts her will, and she fails. Petruchio insults Kate in front of everyone: How do the rest of the characters respond once Kate and Petruchio have left?
They had not previously realized how volatile and abusive he can be. What does Grumio tell Curtis happened on the journey home? Grumio tells Curtis that at one point in their journey, Kate fell off her horse and Petruchio used that as a reason to blame—and beat—Grumio.
Power Structure of Relationships in The taming of the shrew. by Dylan Edwards on Prezi
Grumio is likely implying that because Petruchio has been behaving so badly, the scene will be a volatile one when he gets home with Kate. This implication raises suspense, as the audience anticipates what else will happen between them.
In the yearthe Great Council passed the first Venetian law concerning domestic servants. Starting in the thirteenth century, various government councils began examining and legislating aspects of the master-servant relationship. According to Romano, The first four clauses dealt with in one way or another, the contractual aspects of the master-servant bond.
Chapter 1, citing a Senate law, stated that no servant, either male or female, in service on land or sea, could be bound by contract for more than ten years. As shown above, the history of master-servant relationships leading up the Renaissance legally balance each other out. The dynamics instated keep masters in control, and give servants barely enough freedom have any other choice but to serve their employer for a living. Legislations created clause in the interest of masters, and servants lives were determined by their work and how they could prove themselves to the household in which they were employed.
The Taming of the Shrew Essay
Servants, especially male servants, became objects of display and the necessary accouterments of a noble-lifestyle. For instance, patrons now had artists include servants, particularly black pages, in their portraits; and among the wealthiest families the number of servants probably increased.
When Shakespeare wrote his comedy, The Taming of the Shrew, it was at the end of the sixteenth century, at the peak of these social attitudes towards servant-master relationships. In this play, Shakespeare examines the roles and relationships of both masters and servants. He raises question of social positions by inverting the master and servant roles.
As time went by, servants were treated better and better. A stable groom might aspire to become butler or steward in the same greater house.
He also examines other servant to master relationships and dynamics as well. In the introduction of The Taming of the Shrew, a Lord has his servants take home a drunken beggar, Christopher Sly, to have a bit of fun with him. They put him in a bed, put rings on his fingers and prepare a banquet for him, all in jest, to entertain themselves and the Lord. The servants tell Sly that he is their master, despite his disagreeing. With a complete inversion of roles, Shakespeare allows Tranio, a servant, to take on the disguise of his master, Lucentio.
However, she cannot be wed until her shrew sister, Katharina, is married. In order for Lucentio to court Bianca, he takes on the role of a schoolmaster to tutor Bianca.