Synopsis | Secret Daughter | FRONTLINE | PBS
SHE THE PEOPLE | Thurmond's daughter was for years kept on the black maid in his father's house – had kept the senator's secret, We can be sure that in the South Carolina of the s, it was not a relationship of social. Father Daughter Relationship () Mother Daughter Relationship (57) .. cruel behavior of their daughter may be indicative of a dark secret within the family. During the school year, she lived in Atlantic City with her black family as an Norma had left June's father-African-American vaudeville performer Jimmy relationship between an abandoned daughter and the mother who gave her away.
Shapiro said in an interview with the Observer: They were protecting the white man because they would not have gone to that trouble to protect a black man. The courts still held it as legal to withhold the documentation. My mother assumed it was their dirty little secret.Father And Daughter Short Film - Vivash (helpless) - Hindi Short Film
Her former lover Charles Revson, the billionaire founder of Revlon cosmetics, even created a lipstick for her, calling it Fire and Ice. In the s she made the role of Catwoman her own when she became the first black woman to achieve mainstream TV success in America with Batman, even breaking racial taboos by flirting on screen with Adam West in the lead role. Much of Kitt's background remained shrouded in mystery, with the performer convinced that her date of birth was 26 January Born in the tiny hamlet of St Matthew's, South CarolinaKitt's mother, Annie Mae Keitt, abandoned her daughter at an early age when she found a new man with little time for the light-skinned Eartha.
Shapiro, who now lives in Connecticut, said: My mother was not accepted by the black community. My mother was referred to as a 'yellow gal', which was not a compliment.
It meant someone who thought they were better than everyone else even though my mother was just a child at the time. She was horribly abused in the South. One side of me seeks security and a sense of belonging; the other is more of an adventurer and runs away from commitment.
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What kind of responses did you get initially? Overwhelmingly positive; although many viewers wanted to know how I felt about the way I was raised. Many people ask me for advice about how to raise trans-adopted children.
I tell them to give them a sense of their own history so that they have the strength to stand against the onslaught of American homogeneity.
Is it difficult to place yourself and your loved ones in public scrutiny? I just pretend I am writing about somebody else.
How did you prepare to handle this sort of attention again with the publication of the book? What experiences do you hope readers take from your life story? Is there a lesson to be learned from your book? My biggest challenge was allowing both of my mothers their humanity, and their ambiguity. How would you characterize the current state of race relations in America? Race remains the national neuroses, but I think September 11,transfigured the landscape of race relations.
It makes the work of developing language with which to discuss our differences all the more important and makes the need for compassion imperative.
You clearly have a strong sense of who you were as a child and young woman, and how you arrived at the life you have today. If you could say anything to yourself as the girl at the heart of Secret Daughter, what would it be? You are worth more than you think. You are enough, you have enough talent, to do whatever your heart desires. A number of book clubs and organizations have asked me to come speak, and I try to oblige as many as I can.
What is your next project? Can you see putting yourself at the center of your work again in the future? I have developed a first-person narrative style in my documentary work. What does each woman provide? What are the drawbacks to each relationship? How does June absorb the lessons of both her maternal role models?
Who did you find the most sympathetic person in the book? Who did you find most frustrating? In the conversations for the documentary, Norma worries very much that society will view her as a bad mother. Did you feel that she was? But I did feel incredibly cheated, and as much as we've, you know, tried to have a relationship now, you just can't. It's hard to start when you're 24 years old.
We're never going to have the kind of relationship that we'd had if we'd all grown up together. And I think from, you know, they've been warm - one of my father's sisters, unfortunately, passed away shortly after he did.
But the rest of the family has been quite warm, but there's a legacy of pain and rejection there that's really difficult to get over. In your journey after your father's death, you went to Louisiana.
You did an extensive amount of research tracing your family. Among other things, you found that some of your black relatives actually own slaves. How did that strike you? What did that make you think about all of the different things that had happened in and to your family?
Well, it really threw me for a loop.
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I mean, the woman that you're talking about was my father's grandmother. And I had become convinced in doing my genealogical research that she actually was the daughter of an emancipated slave. And finding a slave connection was important to me because I associated slavery with African-American identity so strongly.
And I came to find out one afternoon that, no, she wasn't the daughter of an emancipated slave. She actually was the daughter of a black slave-owning family. Now, the Creoles of New Orleans, you know, have a quite a different story than the African-American history that I was familiar with. They were historically descended from free people.
They had strong ties to their French and Spanish colonial - the colonists settled in Louisiana. And so they kind of followed sort of white social mores.
Daughter Discovers Father's Black Lineage : NPR
And then, when they were prosperous enough, they also owned slaves, but it really challenged my notion of what kind of, you know, African-American identity I had. Now, you point out that your grandfather joined the Carpenters Union in New York by passing as white. Now, that hints at passing as a form of economic survival. But what about your father? Why did he pass, if you consider it passing? Yeah, well, I think, you know, the passing is such a complicated term.
I mean, it suggests that there's these, you know, a very specific line between the categories of black and white. And if you, you know, just look through the legal history of the South, you'll see that the color line has changed, you know, many times and from state-to-state.