The Canadian Authors Meet – mephistolessiveur.info – ENG
The canadian authors meet essay writing - mephistolessiveur.info The canadian The canadian authors meet analysis essay - mephistolessiveur.info The canadian. Scott uses a technique employed earlier in "The Canadian Authors Meet. but also foreshadows another of Scott's poems on the Edenic theme written in “The Canadian Authors Meet” is one of F.R. Scott's earliest poems, first published in By definition, the term "literati" refers to people who read or comment on.
This opening line can be interpreted in several ways. It could signify the death of religion, paternity, and the pastoral ideal. However, the shepherd figure is not eliminated, only reassigned, suggesting the context of the Twenty-third Psalm, a framework that is reinforced by the use of the biblical "shall" throughout the poem, and the calm and ordered couplets of iambic tetrameter, a meter often used in hymns.
Once again, Scott is interpreting "the new scientific reality in terms of the older religious mythology," an imaginative device Dudek considers central to all of Scott's best poetry. Scott's Anglo-Catholicism was marked by compassionate social activism and Scott often draws upon this inheritance to support and strengthen his social vision.
However, Scott's willingness to appropriate the language and symbols of Christianity for his socialist purposes creates some disturbing ambiguities. Scott often uses the language of his religious past to explore his vision of a scientific future; after all, they both deal in miracles.
The opening lines of "Mural" introduce the reader to a world that resembles the laboratories of Huxley's Brave New World, and yet they can also be interpreted as futuristic equivalents to the agricultural husbandry so essential to More's Utopia. In "Mural" the eggs are laid "without the cluck of boasting hens," and Raphael tells his incredulous listeners that in Utopia, "they breed an enormous number of chickens by a marvelous method.
Men hatch the eggs not hens, by keeping them in a warm place at an even temperature" The phrase "wormless fruits" also picks up the thread of biblical symbolism by suggesting that this world may, in fact, be paradise regained. Is this the Eden to which man's knowledge has allowed him to return? This appears to be Scott's idea of Paradise, the natural world free of man's exploitation, the northern lake untouched by the small civilized foot. No longer reliant on a "precious, prayed-for and uncertain" nature CPhumanity, with the help of science, can assure proper nutrition to all.
The Canadian Authors Meet Essay Sample
In "Mural" the health that is the primary aim of More's Utopians becomes a legal right. The implementation of universal health care is also a central tenet of Social Planning for Canada which laid the groundwork for the CCF platform.
However, the image is still ambiguous; Scott's use of the word "bound" in the "Mural" couplet implies unity, but also fetters and is reminiscent of Satan entering Paradise "at one slight bound" like a "Thief into God's Fold" Paradise Lost 9: These negative connotations are compounded by the direct reference to Aldous Huxley in the line that follows and to biological processes that resemble those of the "Central London Hatchery and Conditioning Center" that appears in Brave New World published in The line "And babies nuzzle buna taps" begs to be interpreted negatively.
This line, apparently demonstrating a total rejection of maternal love and natural human relations, convinces critics that Scott could not have been serious in claiming to present "a credible Utopia. Yet, Scott's use of the word "unsterile" seems to indicate he is merely concerned with the cleanliness vital to a healthy society.
The "zoo-like home" at first suggests enclosure and confinement, but this "home" is not a zoo, only "zoo-like" in that scarcity and threat have once more been removed from the garden. The rhymes "roam" and "home" provide two contrasting but positive images, the first of freedom and the second of haven.
Yet, there is no indication that this bio-engineering is directed toward creating a caste system like the one in Huxley's novel, but could be interpreted instead as a symbol of reunification.
Scott was always vocal in his support of ethnic minorities. Could this be an echo of the desire voiced by Duncan Campbell Scott a generation earlier, to answer the native question by interbreeding to build a great new race, here projected onto a world scale?
This description of how each "bridal pair" will be chosen, leads up to the turning point of the poem: Then, on the Eden air, shall come A gentle, low, electric hum, Apotheosis of the Wheel That cannot think and cannot feel, A lingering echo of the strife That crushed the old pre-technic life.
This crucial passage leading up to the poem's very first period demands a careful look. Dudek interprets the Wheel that governs Scott's "technologi cal utopia" as a symbol of man's lost humanity "which for Scott lies in the power to choose, and to choose good" Scobie insists that the couplet on the Wheel "is the poem's most direct and unambiguous denunciation" of a world that has destroyed "all human values"as have the nightmare wheels of Lampman's poem.
This "biggish hall which contained a large collection of articles of manufacture and art from the last days of the machine period.
Other than the fact that its hum is an electric one, there is nothing to indicate that the Wheel must be interpreted as a symbol of technology. Wheels are an element of the vision of judgement that appears to Ezekiel Ezekiel 1: Perhaps the members of "Mural" society have at last conquered mutability and death. A similar interpretation arises from an application of Eliot's use of wheel imagery, a comparison that is not inappropriate from what we know of Eliot's influence on Scott: In Studies in T.
Naik describes the symbolism of the wheel: Perhaps the Apotheosis of the Wheel is not technology at all, but rather the wheel of life and death which crushed "the old pre-technic life" before science intervened to deliver man from that terrible inevitable cycle.
Ultimately, however, the syntax and the ambiguous time frame make the passage undecidable. Is it the Wheel itself that shall come "on the Eden air or only its "gentle" hum? Is that hum the "lingering echo of the strife," or is it the Wheel's lack of mind that echoes the strife?
The Canadian Authors Meet | Essay Example
Even if one were able to sort out the ambiguous tangle of syntactical relationships, the undecidability is reinforced by the positive lines that follow: This world must also choose a new vocabulary, one in which poverty is eliminated. But this is not a case of "history blown away" CP as in Scott's later poem "Regina " in which the political vision that was born in hunger marches and strikes has drifted away like dust. The very fact that philologists exist guarantees the preservation of language and the liberty of knowing, a notion that is reinforced by the poem's position in The Collected Poems directly after "Archive" which concerns the preservation of the "odd detritus" of an age CP It is a relief to find lovers of words in a society that appears to be dominated by science.
Once poverty is eliminated, "The slightest want shall know its fill. This same ambiguity is present in the description of the "carefree lovers. The "coloured symphonies" to which they listen "to prick their elongated bliss" suggest the "feelies" produced by Huxley's synthetic scent organs, but also reiterates the painterly theme of the title. This line is also an example of Scott's inability to resist a pun in the bawdy tradition of Shakespeare; after all, this is to be a pleasurable society.
In Huxley's novel the old symphonies, like all the great monuments of culture, have been replaced by synthetic imitations: He waved his hand; and it was though, with an invisible feather whisk, he had brushed away a little dust. Whisk, Passion; whisk, Requiem; whisk Symphony; whisk. This claim, which is contradicted elsewhere, does little to resolve the ambiguity which under mines the poems in which he asserts the ascendancy of the political over the artistic, the world crescendo over the Mozart crescendo.
The whole premise of "Overture," the struggle between the individual artist and his "pretty" trinkets and the rising "power" of socialism, is partially subverted by the very existence of the poem which is itself ''careful operatives in a row" CP 87 with its rhyming couplets and symmetrical stanzas. The tension in the poem arises from Scott's use of a traditional poetic form to question the importance of art in the face of politics.
Where does this place the role of music in the world of "Mural"? Despite the poem's title, the position of art in this new society is never made clear. The positive hope that man will no longer be a parasite is reiterated in the couplet: The Utopians think that slaughtering destroys the sense of compassion, the most distinctively human feeling of our nature" Their aversion to killing extends to hunting, "the lowest kind of butcher work" 51and to war which "they hate and detest as a thing manifestly brutal" More also describes the purity of the air in Utopia: Perhaps this is the "air-conditioned air," the "Eden air," untainted by the smell of blood, healthy and pure.
The first feast in Eden, according to Milton, was also without the slaughter of a beast; Eve prepares a banquet for the visiting angel from the succulent fruits of the garden, and presumably the first animals to be slain are those God kills for skins to cover Adam and Eve's shame.
Even among the beasts, violence is a direct result of the fall: At last Paradise has been regained, and man has made the long journey back to Eden, back before Cain and the "long tale of bone and blood" which Scott describes in his poem "Paradise Lost" CP They are not flesh, they are not bone, They see not with the human eye, And from their iron lips is blown A dreadful and monotonous cry.
However, Scott's couplet assumes a whole new aspect when placed in the context of Yeats' "Byzantium" poems; Scott acknowledges his debt to Yeats on at least one occasion Canadian Poetry 4: In Yeats' "Byzantium" metal carries none of the negative connotations Lampman employs, but is, instead, the prized element in the "artifice of eternity. The purified self is delivered from death, violence and desire. Here, Scott uses crude humour to depict the women as old and dried up. The commentary Scott makes is that the women of the CAA are unable to understand modernism, yet they continue to have strong anti-modernist sentiments.
The poem quickly switches from gender social issues back to the issue of outdated Canadian poetry. These men are all very influential Canadian poets, who wrote Victorian and Romantic poetry, something to which Scott was opposed.
Roberts, and Duncan Campbell Scott, as they are the four main Confederation poets. However, there is a comma separating Campbell and Scott, which could mean that the author is referring to William Wilfred Campbell and Frederick George Scott, who is F. It is curious that Scott leaves this ambiguity up to the reader to determine which Scott he is referring to.
Perhaps he did not openly want to insult his father, but he still wanted to leave an undertone, because he is breaking away from not only from his father, but from the style of writing he believes is outdated.
Scott generally believed in writing for the masses, yet this single line is arguably written for other poets to interpret and discuss. By definition, the term "literati" refers to people who read or comment on literature, which perfectly and pompously defines the CAA. Scott emphatically criticizes the paraliterary considerations used by these half-baked authors in judging poets and their works. Scott describes the party which is overflowing with cakes.
The sentimental ones melted most early. It is ironic that these poets should feel competent enough to select the Poet Laureate. Everything non-literary happens here. After lampooning these fake writers, Scott moves on to criticize the plethora of mediocre new writers who emerge on the Canadian literary scene. The maple leaf is the most widely recognized national symbol of Canada.
These writers repeat the ideas of their predecessors. Nothing is new in their writing as same things are duplicated.