Stanley and Stella - Research Paper Example : mephistolessiveur.info
RESPONSIBLE PRODUCTION, A LASTING RELATIONSHIP Stanley/Stella gives you the best sustainable inspiration to create your collection. JOIN US. It's not until scene 3 do we witness the extent of Stanley's and Stella's relationship until he hits her “There is the sound of a blow. Stella cries out” and we think the. Stella and Stanley's relationship has by now been subtly established as primal, for example through how Stanley threw his "package of meat" at her in the first.
- Analyse the relationship between Blanche and Stanley in Scene 2-A Streetcar Named Desire.
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Stanley and Stella Paper
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It has to be earned. The former is emphasised by his use the imperative "let me enlighten you", which emphasises not only his need to dominate a core theme of the play manifested notably in Chapters 3 and 10, with the rapebut an attitude of superiority towards Stella, as the verb "enlighten" has connotations of a grandiose, unexpected truth something Stella couldn't discern by herself.
This clearly has a condescending illocutionary force, and is bolstered by the address term "baby" - this has a sexist illocution, that she is infantile and dependent upon him, as well as its sexual connotations.A Streetcar Named Desire (7/8) Movie CLIP - Pearls Before Swine (1951) HD
In a patriarchal society s AmericaStanley feels the need to use societal attitudes to support his claims, which presents him as insecure his claims are not strong enough to hold up on their own. The use of formal, complex lexis such as the polysyllabic noun-phrase "Napoleonic code" and its incongruity in Stanley's simulated naturalistic dialogue also foreground a sense of stupidity, or at least intellectual deficiency, in his discourse and his obliviousness to this.
Stella attempts to reassert dominance in the discourse by interrupting Stanley's tirade his speech is cut short "of property-" and using the exclamation "my head is swimming!
Responsible production, a lasting relationship | Stanley/Stella
In this speech, Stella subtly conforms to the patriarchal expectation of a confused, uninformed woman to satisfy Stanley's ego - she does not have to argue with him rationally. This is ironic as it both diminishes and empowers Stella in the relationship - she is able to control Stanley, by conforming to his desires; this is a key theme throughout their relationship in the play, sexually specifically. Stanley and Stella both place prosodic emphasis on certain phrases to express their anger and impatience, which adds to the growing tension and potential sexual subtext in the scene - an effect Williams often achieves via 'Plastic Theatre'.
For example, Stanley emphasises the past-participle "swindled" which has connotations of weakness and lack of pride, at odds with Stanley's macho self-image - he does so in order to cast blame externally.
Stella style-matches to this by calling him an "idiot" and prosodically stressing the pronoun-verb-phrase "I'm" - this stresses her agency the use of present tense also emphasises this and subsequent power in the relationship, but also shows how Stella comes to resemble Stanley.