Much ado about nothing - Shakespeare’s romantic comedy
The following paper deals with the comparison of the two relationships in William Borachio meets Margaret in Hero's chambers causing Claudio to think he is. SHARE MARKET, | EXCHANGE RATE, | TRADING, | OTHER PUBLICATIONS, | ARCHIVES | Don Pedro comes to Messina with two of his friends, Claudio and John's associate Borachio in which Hero's waiting woman Margaret is appropriateness of a love marriage between Beatrice and Benedict for. It is possible that Don John and Borachio may have used this frame of Note how in the play, “Much Ado About Nothing”, Margaret did not receive the In the time of Shakespeare, any woman who had sexual relations outside .. a media measurement and analytics company providing marketing data and.
Although this was not a public conversation, slut-shaming through gossip is more prevalent regardless of the era. Even today, slut-shaming is a trending topic but as studies show, the opinions and viewpoints on the matter of what makes a woman a slut is divided by social class perception and interpretation.
Elizabeth Armstrong, a sociology professor at the University of Michigan, and Laura Hamilton, then a graduate assistant and now a sociology professor at the University of California at Merced, lived, observed, and interviewed fifty-three students in a female dorm for four years. However, this does not mean they still did not have sexual encounters, they just kept it a secret, as they feared being viewed as outcastes by others in their social class.
In contrast, those from lower-income families were often targeted as sluts, not just by some of their behaviors but by the clothes they wore, whether through gossip, name-calling, or a more dramatic form of public humiliation Khazan This viewpoint echoes the divide between social class, yet shows a change in mindset compared to how Shakespeare portrayed sexuality between the upper and lower socio-economical class.
Defining who is a slut or the characteristics of a slut depends on the time period and their socio-economic class. In the time of Shakespeare, any woman who had sexual relations outside of marriage was considered a slut. Again, although frowned upon in general, the lower socio-economic status sexual practices were often overlooked more so than those of a higher, more noble status.
In the twenty-first century, the definition of who is a slut is more varied. Slut-Shaming in the Age of the Internet defines slut-shaming as the judgment of a woman for being too sexual and the belief that she deserves policing or punishment. Armstrong and Hamilton discovered that wealthy college students are more accepting of the idea of premarital relations if done quietly within the confines of a long-term relationship and simply making-out with a boy, which includes kissing and oral sex, while not being in a relationship does not make a woman a slut as long as intercourse is excluded.
Those in a lower-income caste seem to view making-out and intercourse as acceptable if done so in a formal relationship. Interestingly, the way each social class viewed the choice of clothing also has a bearing on whether one is deemed a slut more so than in relation to sexual behaviors. With the higher social class, wearing short skirts because they fashionable is acceptable but certain behaviors, such as dancing while wearing short skirts, will quickly get a person labeled as a slut.
Lower-income women viewed their wealthier counterparts as sluts by their personality often associated with rudeness and attitude of entitlement Khazan For those in a higher socio-economic class, the slut-shaming is often done privately through gossiping. However, when it comes to the lower socio-economic class, slut-shaming is done on a more public platform whether in a social setting, in passing, or online. Either execution of slut-shaming can have damaging effect emotionally and psychologically.
There is also an ongoing trend of slut-shaming through victim shaming that is an increasing problem not only throughout history but in contemporary societies as well.
Claudio and Leonato, turned a deaf ear to her pleas of innocence as they focused more on vicious condemnation before knowing all the facts.
This mindset and focus on vilifying women when it relates to sexuality are often still in practice even in contemporary times. Victims of murder and robbery receive less if any, condemnation as that of female rape or sexual assault victims who are the typically the ones put on trial when they come forward to rectify the wrong done to them. There seems to be a remnant of an old-patriarchal mindset that points blame toward women for the lack of self-control exhibited by some men.
In the most recent trial of Bill Cosby, Andrea Constand was succumbed to withstand a variety of victim blaming, slut-shaming remarks not only from the public but by the judicial system as well. She went up to his house with a bare midriff and incense and bath salts. This is a common mindset toward female rape victims who come forward as people judge them by what they wear or how they act as if they were asking to be sexually violated.Much ado about nothing Beatrice/Benedick love scene
Online Harassment in Source Another aspect of public humiliation and how it has changed since Elizabethan times is the invention of the internet. It is that perspective passed down through the generations, that has contributed to the modern slut-shaming culture.
Although some contemporary societies are more open-minded now, it is through public platforms that slut-shaming still thrives today. Sadly, it shows no signs of slowing down as internet trolls batter away at people on social media. This can affect self-esteem and even threaten their employment and employability as more employers look toward social media to see if a person will be the right fit for the company.
Whether a sexual act is consensual or forced, the burden of virtue, slut-dome, and self-worth still fall on the responsibility of women compared to the men who exploit them regardless of the time period it occurs. Don Pedro, Prince of Aragon, is a military commander who brings his troops to Messina.
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He woos Hero for Claudio and later plots an intrigue to bring together Benedick and Beatrice. Benedick of Padua is a lord and companion of Don Pedro.
He talks far too much. Beatrice is an orphan, the niece of Leonato.
Beatrice talks a great deal and is very witty but determined not to marry. However, Don Pedro plans a consipracy that brings her together with Benedick.
They marry at the end. Claudio is a lord and companion of Don Pedro, too. He falls in love with Hero and allows Don Pedro to woo her for him.
Hero, the daughter of Leonato, is publicly disgraced by Claudio on the day of their wedding and faints. After pretending to be dead until she is proven innocent, Leonato allows her to marry Claudio. Leonato is the Governor of Messina. Don John is the bastard brother of Don Pedro. He plots against Claudio, first making Claudio think that Don Pedro is wooing Hero for himself and later, making Claudio believe that Hero has committed infidelity.
Borachio, another male protagonist, is a follower of Don John. He creates the second intrigue against Claudio.
Slut-Shaming in Shakespeare’s “Much Ado About Nothing” and Contemporary Society | Owlcation
Borachio meets Margaret in Hero's chambers causing Claudio to think he is seeing Hero and Borachio together and that Hero therefore is unfaithful to him. He is arrested by Dogberry's watchmen and forced to tell the truth at the end.
Margaret is a waiting-gentlewoman who attends to Hero. Margaret unwittingly is thought to be Hero when she meets with Borachio in Hero's chambers. Dogberry is the constable in charge of the watch.
Dogberry is a buffoon but still manages to capture Borachio and Conrad and makes them tell about the intrigue to ruin Hero's reputation. Verges is the head borough and at the same time Dogberry's partner. Conrad also is a follower of Don John. The watchmen are guards who roam the city of Messina keeping order and peace. Conrad listens to Borachio telling how Don John paid him a thousand ducats to pretend meeting Hero in her chambers, when instead he meets with Margaret.
Conrad is arrested with Borachio by the watchmen.
Benedick and Beatrice vs. Claudio and Hero
Antonio is the brother of Leonato, an old man. Antonio is furious when Claudio shames Hero. He later pretends to be Hero's father at the final wedding at the end. Friar Francis is the man meant to marry Hero and Claudio. The Sexton is the man who interrogates Borachio and Conrad. He writes down everything that they tell before going to Leonato and revealing that Hero is innocent.
Beatrice immediately asks about Benedick and mocks him at length.
Slut-Shaming in Shakespeare’s “Much Ado About Nothing” and Contemporary Society
They all arrive, including Don Pedro's brother John. There is a long exchange between Beatrice and Benedick, all but Benedick and Claudio leave, and Claudio reveals his love for Hero. He is not sure of her response or her family's. They tell it to Don Pedro as well. Don Pedro suggests a trick to make things easier for Claudio: In scene ii Hero's uncle learns of the plan and intends to warn Hero so that she will know what is happening.
In the last scene of the first Act Don John reveals his envious nature, his pleasure in causing pain to others. The masked ball begins and all identities are hidden behind masks.