That's the number one role for the bass player and drummer. . things that I'm constantly looking for is that common denominator of the spiritual relationship. The relationship between bass and drums is a special and unique one. While a typical rhythm section would consist of bass, drums, guitar. Bass player & drummer both need to be feeling the 1/4 note the same . have never had a relationship with the bass players. the bass player is.
The feel is the most important thing to me. Rushing is common in trying to force things to swing by playing on top a little bit.
But, it also makes it feel a little more uncomfortable. I think that might be a common failing of younger drummers. To maybe artificially create excitement. Electric Bass, studio and live performer with a string of movie, TV, and record hits. A real fine drummer ought to be able to tell a story between his hands and feet and not just bang on the drums. The drummer is like the framework of a house, and the bass player is like the basement.
The bass drum is very important to groove with, but not necessarily by playing the same line; perhaps a complimentary line. The bass player and the drummer should be able to lock in and groove together.
Not push or pull. You can rush a little bit and drag a little bit, as long as you do it together. The sound of the cymbal is important.
To back up the lead player or singer with simplicity. To play simple and to put the right stuff underneath a player or singer takes talent! Shelly used to tune his drums in the studio just so beautiful! People say that drums are not musical instruments. Drums are musical instruments! You can play songs on the drums.
Bassists on Drummers - Modern Drummer Magazine
Not just to his bass drum. I listen to everything!
Technically speaking, I never really thought much about the drummer. I created my parts by feeling. Listen, when the singer is singing, how the bass player may follow with a little lick as an answer, or the drummer may do the same thing. Or they might do it together!
Well, just leave the bass player alone! The drums are a musical instrument. Keeping a happy attitude in the band is very important, and the drummer, being a gregarious kind of guy, can do that. Fine drummers usually have really great ears.
They play notes on the drums, too. That role should be shared between the bass player and the drummer. Does he listen to what everybody else is playing?
Colors and shades, different volume levels, I guess those are the two main things. Mainly that they play too loud. He can force himself to be the leader, just by the nature of the instrument. He can play the loudest, he can cover everybody up and he can make everybody the music go.
The beginning of every band is the linkage between the bass player and the drummer. I remember listening to Elvin Jones with John Coltrane! Like I said, the beginning of a band is the linkage between the bass player and the drummer. Acoustic Bass, live and studio. Ridley also teaches at Rutgers University. It goes back into that spiritual aesthetic thing that I was talking about. I compare it to athletics.
There is no set pattern or formula for that.
Bassists on Drummers
You have to know how to make certain kinds of adjustments. As an individual, Max has a unique approach to how he phrases, how he breathes and the intuitive rhythm he feels. I have to make those kind of adjustments. They think of a sound and they just start beating. And there are a variety of ways you can achieve that. The way you tune your drums, the way you strike it, what part of the drumhead you hit, for instance.
Just like all this stuff with electronic drums. You know, them flams might be shams! The wrench is just a means to an end. I practiced 8 hours and got all my rudiments down. Electric and Acoustic Bass, studio and live performer with most of the jazz greats, as well as his own group The Ron Carter Quartet. Acoustic and Electric Bass, studio and live performer. Founding member of Weather Report.
Listen to everybody in the group and be musical about it.
The Chemistry Between the Bassist and the Drummer
Do not overpower the rest of the group. Dynamics has a lot to do with it. Number two, just as important, a drummer must have great time. Overpowering volume is another common fault. I would say Jack DeJohnette is a good example of that. Also, a drummer can be very, very loud and that can be just totally meaningless.
Sometimes it can be very, very loud and it can be extremely exciting.How Bass and Drums Work Together
Acoustic Bass, studio and live performer with his own quartet. Has performed with most of the great jazz drummers. Those who do would be the persons I would prefer to make music with.
It takes a lot of ingenuity from the rhythm section to keep the groove from dying. The way that he played behind John Coltrane was quite different from the way that he played behind Cannonball, and different again from the way that he played behind Miles Davis. You have to have enough in your conceptual reservoir to change according to who steps up to the podium, so that you can converse with him adequately and be a complement as well as a give and take.
Try experimenting with these three different beat placements to see how it affects the groove of your music. However, there are two schools of approaches that bassists and drummers subscribe to: Listen to the masters for how they approach this subtle yet powerful ingredient. Again, the composition will usually dictate what is needed and where to place those strategic notes and accents. The bass and drums should aspire and utilize dynamics as a rhythm section, thus propelling and lifting the musical ensemble to higher levels of tension and release.
When there are moments of opportunities to rise and fall with the music, define these sections and work them out dynamically. Oftentimes, this will expose how well you and the drummer are locking in and how much you are really listening to each other. This seems like a given, yet dynamics are often overlooked by many performers.
The Chemistry Between the Bassist and the Drummer | [DFO] Drum Forum
Find the moments in the song that you can add dynamics. Playing with great musicians, or musicians better than yourself, will often propel you to greater heights. However, there is one important, often-overlooked word: When you find a unique camaraderie and chemistry with other musicians, you should cherish and treasure this secret ingredient. There are hundreds, if not thousands, of great bass and drum teams that you should check out.